BRINCAR com letras grandes("PLAYING in big letters") is a visually vibrant and provocative composition that delves into the ambiguity between playfulness and truth, lightness and emotional manipulation. The work confronts the viewer with a saturated visual universe - filled with childhood references, fragmented objects, and clashing textures - orchestrated within an intentional chaos.At the heart of this whirlwind lies a subtle yet loaded question: “Plena mente?” (a wordplay in Portuguese suggesting both “fully conscious” and “full of lies”). The phrase operates as both riddle and critique, questioning the social habit of saying something honest in the form of a joke - only to quickly retreat behind the phrase “just kidding” when vulnerability is exposed. A gesture that simultaneously reveals and denies.The painting becomes a reflection on dishonesty wrapped in playfulness, where a playful aesthetic is used to camouflage deeper emotional tensions.  Visual elements like cherries, childlike patterns, and abrupt cutouts serve as metaphors for the desire to express honesty. “BRINCAR com letras grandes” refuses the superficiality of joking and invites a reflection on the courage it takes to stand by the truth - even when it arrives masked as laughter.

Betweenevilandfun, Diogo Potes, a graphic designer and creative director based in Lisbon, creates monsters that don’t really want to scare. His figures live in an ambiguous space — chaotic, colourful, intense — where the grotesque is softened by vibrant palettes and a sense of humour. Influenced by punk rock and 1990s skateboard graphics, these creatures with bulging eyes and sharp teeth inherit the anarchic spirit of that era, yet reject the narrative of fear. The result is a playful and provocative visual tension — monstrous, but never hostile.

In this special edition, Tristan Eaton fuses digital and screen printing to explore the tension between surface and depth, beauty and construction. Known for his layered approach, Eaton continues to blur the boundaries between fine art, pop culture, and street aesthetics. “Sous”captures the essence of his practice: bold, intricate, and unapologetically hybrid.

Edition: Edition of /50 + 10 AP

Technique: Giclée print and eight-colour screen print on paper

Size: 68.6 × 45.7 cm

Artist: Tristan Eaton

Shipping: Plastic-free packaging

Each video artwork editions continues a series Vhils began in 2011, using
his signature technique of controlled explosion. By literally creating through
destruction, the artist reveals what lies beneath the surface, both physically
and metaphorically. Captured with high-speed cameras, the moment of
detonation becomes a fleeting, lyrical gesture, imperceptible to the human eye,
yet rendered visible through technology. It is in this invisible instant that Vhils
uncovers a new form of beauty: one that emerges from force, fragmentation,
and the delicate choreography of demolition.

Fauna Material marks the first collaborative print by artists Add Fuel (Cascais, Portugal) and PichiAvo (Valencia, Spain). This piece unites their creative languages, blending the timeless presence of classical art—embodied in the mythological figure of the faun—with the refined beauty of traditional Portuguese tilework, which forms the backdrop of the composition.