Each video artwork editions continues a series Vhils began in 2011, using
his signature technique of controlled explosion. By literally creating through
destruction, the artist reveals what lies beneath the surface, both physically
and metaphorically. Captured with high-speed cameras, the moment of
detonation becomes a fleeting, lyrical gesture, imperceptible to the human eye,
yet rendered visible through technology. It is in this invisible instant that Vhils
uncovers a new form of beauty: one that emerges from force, fragmentation,
and the delicate choreography of demolition.

Each video artwork editions continues a series Vhils began in 2011, using
his signature technique of controlled explosion. By literally creating through
destruction, the artist reveals what lies beneath the surface, both physically
and metaphorically. Captured with high-speed cameras, the moment of
detonation becomes a fleeting, lyrical gesture, imperceptible to the human eye,
yet rendered visible through technology. It is in this invisible instant that Vhils
uncovers a new form of beauty: one that emerges from force, fragmentation,
and the delicate choreography of demolition.

Each video artwork editions continues a series Vhils began in 2011, using
his signature technique of controlled explosion. By literally creating through
destruction, the artist reveals what lies beneath the surface, both physically
and metaphorically. Captured with high-speed cameras, the moment of
detonation becomes a fleeting, lyrical gesture, imperceptible to the human eye,
yet rendered visible through technology. It is in this invisible instant that Vhils
uncovers a new form of beauty: one that emerges from force, fragmentation,
and the delicate choreography of demolition.

Each video artwork editions continues a series Vhils began in 2011, using
his signature technique of controlled explosion. By literally creating through
destruction, the artist reveals what lies beneath the surface, both physically
and metaphorically. Captured with high-speed cameras, the moment of
detonation becomes a fleeting, lyrical gesture, imperceptible to the human eye,
yet rendered visible through technology. It is in this invisible instant that Vhils
uncovers a new form of beauty: one that emerges from force, fragmentation,
and the delicate choreography of demolition.

This edition emerged from Layers, a generative NFT project that invited collectors to shape their own artwork by choosing how many visual layers to reveal. Built from photographs of torn urban posters, each composition was generated algorithmically and then printed on velvet paper, merging digital authorship with physical craft. It reflects the exhibition’s central idea of Threshold— a transition between the virtual and the tangible, and between observation and participation.

Each piece in the Shred Edition was created from real street posters — fragments of the city’s surface collected and transformed through Vhils’ process of carving and controlled removal. These works embody the project’s core tension between destruction and creation, presence and erasure. They echo the visual language of Threshold, turning detritus into testimony and collapse into continuity — where what’s usually discarded becomes a site of reflection.

Each piece in the Shred Edition was created from real street posters — fragments of the city’s surface collected and transformed through Vhils’ process of carving and controlled removal. These works embody the project’s core tension between destruction and creation, presence and erasure. They echo the visual language of Threshold, turning detritus into testimony and collapse into continuity — where what’s usually discarded becomes a site of reflection.

This edition emerged from Layers, a generative NFT project that invited collectors to shape their own artwork by choosing how many visual layers to reveal. Built from photographs of torn urban posters, each composition was generated algorithmically and then printed on velvet paper, merging digital authorship with physical craft. It reflects the exhibition’s central idea of Threshold— a transition between the virtual and the tangible, and between observation and participation.

This edition emerged from Layers, a generative NFT project that invited collectors to shape their own artwork by choosing how many visual layers to reveal. Built from photographs of torn urban posters, each composition was generated algorithmically and then printed on velvet paper, merging digital authorship with physical craft. It reflects the exhibition’s central idea of Threshold— a transition between the virtual and the tangible, and between observation and participation.

Each piece in the Shred Edition was created from real street posters — fragments of the city’s surface collected and transformed through Vhils’ process of carving and controlled removal. These works embody the project’s core tension between destruction and creation, presence and erasure. They echo the visual language of Threshold, turning detritus into testimony and collapse into continuity — where what’s usually discarded becomes a site of reflection.