Judith Supine’s work has always hovered between delirium and clarity, seduction and discomfort. Known for his surreal collages that splice together fragments of the body, pop cultural debris, and dreamlike imagery, he constructs figures that feel both grotesque and hypnotic. In recalling a fever dream in the jungles between Costa Rica and Panama—hallucinating from dysentery as a Blue Morpho butterfly followed him down a dirt road—Supine describes a moment of fragility that turned into revelation, an overwhelming sense that everything would be okay. This vision encapsulates the tension at the core of his practice: the collision of beauty and decay, hallucination and prophecy, the unconscious erupting into form.

Emerging from André da Loba’s vibrant visual language, FLOR brings together organic forms, geometric shapes, and bold fields of colour within a composition where nature, design, and digital aesthetics seamlessly coexist. Flowers, birds, abstract figures, and playful symbols unfold through overlapping planes and shifting transparencies, creating a visual ecosystem in constant transformation.

Characteristic of da Loba’s practice, illustration, graphic design, and contemporary visual culture converge into a language built on rhythm, clarity, and experimentation. Layers of line, colour, and opacity create unexpected relationships between forms, while recurring motifs introduce moments of familiarity within an otherwise fluid composition. Balancing structure with spontaneity, FLOR celebrates curiosity and imagination, inviting viewers to discover new connections between the natural and the constructed, the playful and the profound.

Emerging from Shepard Fairey’s ongoing exploration of the relationship between power, protest, and peace, AR-15 Lily Portugal reinterprets one of the artist’s most enduring visual motifs: a firearm transformed into a vessel for a blooming flower. Created for Portugal, the work echoes the symbolic legacy of the Carnation Revolution, where flowers became an emblem of peaceful resistance and democratic change.

Characteristic of Fairey’s practice, graphic clarity and bold iconography are employed to communicate complex political ideas through universally recognisable symbols. By juxtaposing the AR-15 rifle with a lily in full bloom, the work confronts the tension between violence and hope, destruction and renewal. Balancing the visual language of propaganda with a message of optimism, AR-15 Lily Portugal reflects on the enduring possibility of replacing conflict with dialogue and transforming symbols of division into expressions of collective resilience.