Coordination: Marina Rei, Paulo Moreira
Text: Paulo Moreira, Pedro Figueiredo, Underdogs
Translation and proofreading: José Roseira
Design: Pedro Ponciano, Mariana Olo, Pê . p-e.pt
English and Portuguese
98 pages
21.5 × 15 cm
Colour
2021
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Know more about the project HERE

Edition of /35 + 5 AP
Screen print on paper
Signed and numbered by the artist
Keaykolour White 300 g/m2 paper
50 × 50 cm
2021

Edition of /35 + 5 AP
Mixed media screen print over poster collage
Signed and numbered
IOR 100 g/m2 paper
70 × 50 cm
2021

Edition of /100 + 15 AP
Screen print on paper with hand-deckled edges
Signed and numbered by the artist
Cream Speckletone paper
105 × 77 cm
2021

Edition of /225 + 25 AP
Digital print on tile with cork base
Laser signature and numbering
15 × 15 cm
2021

Edition of /50 + 10 AP
Fabric and filling 100% non-allergenic polyester
Handmade in Cape Verde. Embroidery and packaging made in Portugal
Signed, numbered, and partially handsewn by the artist
Approx. 34 × 17 × 10 cm
2021

Edition of /50 + 10 AP
Fabric and filling 100% non-allergenic polyester
Handmade in Cape Verde. Embroidery and packaging made in Portugal
Signed, numbered, and partially handsewn by the artist
Approx. 34 × 17 × 10 cm
2021

Edition of /75 + 10 AP
Screen print on paper
Signed and numbered by the artist
Lynx Paper ( Pochteca ) 270 g/m2 paper
70 × 50 cm
2021

Edition of /75 + 10 AP
Screen print over acrylic
Signed and numbered by the artist
40 × 40 × 0.2 cm
2021

Edition of /45 + 5 AP
Screen print on paper
Hand-finished, signed and numbered by the artist
Virgin Pulp China White Dragoon Embossed 300 g/m2 paper
70 × 50 cm
2021 

Due to the printing process, each copy displays slight differences
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This edition was inspired by the Portuguese artist Santa Rita Pintor and his philosophy that for artists to truly be modernist, they would have to be in a constant state of performance, from the way they dressed, to the way they acted. — Fidel Évora

Edition of 50 + 5 AP
Papier-mâché and paint
Hand-finished, signed and numbered by the artist
100 × 70 cm
2021

Edition of /150 + 20 AP
Two-colour screen print on paper
Screen print ink, Quink ink, bleach, and acid
Hand-finished, signed and numbered by the artist
Keaykolour Original China White 300 g/m2 paper
70 × 50 cm
2017

Edition of /100 + 20 AP
Screen print on paper
Screen print acrylic ink, Quink ink, bleach, and acid
Hand-finished, signed and numbered by the artist
Fedrigoni Cotton Wove Premium White 350 g/m2 paper
72 × 50.5 cm
2016

Edition of /20 + 5 AP
3D resin printing, brushed steel base
Engraved signature and numbering
25 × 10 × 10 cm
2021
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"This is the way to bring painting into the 3D world with all my references, and to be able to reinterpret my works." - Nuno Viegas

Edition of /35 + 5 AP
Giclée print on paper
Signed and numbered by the artist
Fine Arts 100% Cotton 270 g/m2 paper
45 × 30 cm
2021

Open edition
Tabloid zine
Offset printed
43 × 29 cm
32 pages
2020

Concept: Pedro Pires, Diogo Potes
Editors: Pedro Pires, Diogo Potes
Texts: Pedro Pires, Alexandre Farto
Graphic design: Diogo Potes
Published by: Solid Dogma
Portuguese and English
Softcover
33 × 23 cm
384 pages
2020

Edition of /250 + 25 AP
Screen print on paper
Screen print ink, Quink ink, bleach, and acid
Hand-finished, signed and numbered by the artist
Keaykolour Original China White 300 g/m2 paper
70 × 50 cm
2020

Edition of /60
Risograph print on paper
Signed and numbered by the artist
Arcoprint Edizioni 130 g/m² paper
41 × 29.7 cm
2020

The artist is donating part of the proceeds from the sale of this edition to Portuguese anti-racism platform www.sosracismo.pt.

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“1984” is one of those books that, every time I read it, I discover something new, I discover a new relationship with the reality we live in, especially at a particularly unusual moment in our history when we are dealing with a pandemic, with states of emergency, paranoia, rights curtailed by the confinement and a generalised climate of mistrust in which we are encouraged to monitor and denounce the others.

At this moment I cannot refrain from drawing a parallel between the reality we are living in and George Orwell's vision. For this reason, I believe that in times like these we should pay special attention to the way we treat each other, the way we deal with this unusual situation in a supportive and human way while always remaining concerned for the rights we take for granted and which are so easily curtailed in the name of the “new normal.” - AkaCorleone