Hense
0 Artwork
€0 EUR
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Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city with the aim of promoting art as an everyday experience.
Edition of /50
Four-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2019
Hense, the artistic name of Alex Brewer, is an American painter based in Atlanta. Emerging from graffiti culture, he developed a distinctive abstract style built from vibrant colors, sweeping lines, and energetic shapes. His work explores the dynamic relationship between form, movement, and space across murals, paintings, and prints.
On the island of Vlieland, Hense immersed himself in coastal atmosphere and open space. Known for vibrant abstraction, he responded to the island’s rhythm through layered shapes and energetic color relationships. The print reflects interaction between form and movement, echoing the expansive landscape and shifting light. Through bold gestures and structured composition, the work translates the island’s vitality into dynamic abstraction, emphasizing harmony between environment and artistic instinct.
Hense
0 Artwork

Edition of /75
Seven-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2019
Greg Ito is a Los Angeles–based artist whose work blends symbolic imagery with dreamlike narrative. Using recurring motifs such as windows, candles, moons, and keyholes, Ito explores themes of longing, memory, and imagination. His paintings and prints exist in a liminal space between waking life and lucid dreaming, inviting viewers into contemplative landscapes shaped by personal mythology.
Arriving in Seoul with little preparation, Greg Ito immersed himself in the city’s energy through spontaneous encounters and explorations. The constant presence of Seoul Tower became a symbolic anchor, representing longing and discovery. Navigating unfamiliar streets and forming new friendships sharpened his awareness of place and self. In his print, Ito frames the landscape within his signature keyhole motif, suggesting both memory and desire. The work transforms a personal moment of connection into a symbolic image that captures the emotional resonance of finally visiting a long-imagined destination.
Edition of /75
Ten-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2020
Matthew Craven is an American artist based in Detroit whose work integrates patterns inspired by ancient cultures, textiles, and decorative arts. His compositions combine references ranging from Greek ceramics to Indigenous weaving traditions. Through drawing, collage, and printmaking, Craven explores how visual motifs travel across cultures, creating layered compositions that bridge historical and contemporary aesthetics.
In Bali, Matthew Craven encountered master artisans carving wood and intricate textile traditions rich with pattern and symbolism. Observing their intuitive craftsmanship resonated deeply with his own practice of building complex compositions from simple forms. Inspired by organic motifs and botanical imagery, he integrated subtle references from Balinese iconography into his established visual language. The print merges cultural influence with personal continuity, demonstrating how travel can expand an artist’s vocabulary while reinforcing universal connections found within pattern, repetition, and handmade processes.
Edition of /50
Three-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2023
William LaChance is an American artist based in St. Louis whose practice blends painting, printmaking, textile design, and assemblage. His work often juxtaposes diverse visual references—from fashion and design to art history and natural forms. By combining unexpected materials and imagery, LaChance creates hybrid compositions that blur the boundaries between fine art and applied design.
The vast landscapes of Oregon felt both cinematic and theatrical to William LaChance. Observing small-town life and expansive scenery, he perceived the environment as a stage inhabited by characters. Drawing from this narrative quality, he created a composition where figure and ground blur within painterly abstraction. The print references folk traditions and artificial silhouettes, highlighting the tension between authenticity and artifice. It captures a landscape transformed by imagination, where environment and storytelling merge into a contemplative scene.
Edition of /50
Three-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2024
Abel Macias is a Los Angeles–based artist whose work draws inspiration from Mexican folk art, everyday objects, and desert landscapes. After many years living in New York, his move to California influenced a warmer color palette and new visual references. His compositions combine symbolic imagery with earthy tones, creating narratives rooted in cultural memory and lived experience.
In Rwanda, Abel Macias encountered both profound history and thriving natural beauty. From visiting the Genocide Memorial to witnessing wildlife in Akagera National Park, his journey balanced reflection and awe. Safari experiences inspired imagery of elephants, giraffes, and birds roaming freely. The print translates these vivid encounters into a stylized composition rooted in his folk-influenced aesthetic. It captures the vitality of wildlife and the resilience of place, honoring a country defined by both memory and forward momentum.
Edition of /50
Three-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2025
Taquen is a Spanish artist from Madrid whose murals and studio works explore the relationship between people and their environments. Using fluid lines and warm natural colors, he often portrays figures, animals, and plants in poetic compositions. His work reflects themes of movement, change, and connection with landscape.
Running the Sahara Marathon among Sahrawi communities profoundly impacted Taquen. Experiencing their hospitality and resilience amid harsh desert conditions shaped both his reflections and artwork. Workshops with local children and encounters with decorated hands inspired symbolic elements within the composition. The print references “the desert in the desert,” blending human gesture and landscape. Through warm tones and expressive line, the work honors courage and community, transforming endurance and solidarity into a poetic tribute.
Edition of /50
Four-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2019
Hense, the artistic name of Alex Brewer, is an American painter based in Atlanta. Emerging from graffiti culture, he developed a distinctive abstract style built from vibrant colors, sweeping lines, and energetic shapes. His work explores the dynamic relationship between form, movement, and space across murals, paintings, and prints.
On the island of Vlieland, Hense immersed himself in coastal atmosphere and open space. Known for vibrant abstraction, he responded to the island’s rhythm through layered shapes and energetic color relationships. The print reflects interaction between form and movement, echoing the expansive landscape and shifting light. Through bold gestures and structured composition, the work translates the island’s vitality into dynamic abstraction, emphasizing harmony between environment and artistic instinct.
Edition of /50
Two-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
Linnéa Andersson is a Swedish artist based in Gothenburg whose work explores emotion through abstract botanical forms. Using simplified leaf shapes and subtle color relationships, she creates compositions that function as visual diaries of inner states. Her paintings and prints investigate how mood and memory can be expressed without figurative imagery.
In Furudal, Linnéa Andersson continued her exploration of emotion through organic abstraction. Inspired by natural surroundings, her leaf-like forms suggest inner states rather than literal scenery. The print uses simplified shapes and subtle color interplay to evoke quiet reflection. Through the space between forms and canvas edge, she communicates mood without words. The work embodies the calm introspection fostered by rural retreat, where nature becomes a mirror for emotional language.
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