Emerging from André da Loba’s vibrant visual language, FLOR brings together organic forms, geometric shapes, and bold fields of colour within a composition where nature, design, and digital aesthetics seamlessly coexist. Flowers, birds, abstract figures, and playful symbols unfold through overlapping planes and shifting transparencies, creating a visual ecosystem in constant transformation.

Characteristic of da Loba’s practice, illustration, graphic design, and contemporary visual culture converge into a language built on rhythm, clarity, and experimentation. Layers of line, colour, and opacity create unexpected relationships between forms, while recurring motifs introduce moments of familiarity within an otherwise fluid composition. Balancing structure with spontaneity, FLOR celebrates curiosity and imagination, inviting viewers to discover new connections between the natural and the constructed, the playful and the profound.

Emerging from BIGOD’s exploration of vernacular culture and overlooked forms of labor, this edition reflects on the circulation of images and their role in shaping collective memory. Drawing on the figure of the street newspaper seller, the work positions artistic creation as an act of distribution: something that moves, repeats, and carries urgency.

Built through layered fragments and graphic rhythms, the composition evokes processes of print and reproduction, where images accumulate and transform over time. Balancing manual gesture with industrial reference, the work establishes a dialogue between past and present, translating a street-based visual language into a form that can be held, shared, and preserved.

Emerging from Pedrita Studio’s ongoing exploration of material memory and the Portuguese tile as a visual language, 6 Leonar brings together two forms of reclaimed material. A cropped portrait sourced from an old photograph is reconstructed through ceramic fragments, each tile functioning as a pixel within the larger image. The title itself preserves a trace of the photograph’s original life, borrowing the name Leonar from the brand of photographic paper printed on its reverse.

Characteristic of Pedrita Studio’s practice, collection and recomposition become ways of giving existing materials new narratives. Despite its intimate scale, the work brings together a remarkable diversity of ceramic techniques, from discontinued Portuguese industrial trims to hand-glazed and hand-painted tiles and ceramic decals. As these fragments are selected from the studio’s evolving archive, every work in the edition is different. Moving between photography and ceramic, portraiture and abstraction, repetition and singularity, 6 Leonar gives both image and material a new life while preserving traces of where they came from.

EXIsT unfolds from João Fortuna’s investigation into the condition of the individual within cycles of acceleration and repetition. Composed through a vocabulary of fragmented visual codes, the work reflects a state where existence becomes mechanical, reduced to sequences of inputs and outputs, gestures and routines. Suspended between awareness and automatism, the piece traces a closed loop where meaning dissolves into repetition. Within this tension, between staying and escaping, permanence and rupture, EXIsT captures the fragile threshold where consciousness resists being absorbed into the system.

Developed within the context of The Studio project at Underdogs Gallery, Nothing to Hide was hand-finished by Nuno Viegas during his residency.

Created alongside a new series of graphite and cyanotype works, the edition reflects the artist’s exploration of material transformation, controlled exposure, and gradual image construction. Extending this process into the risograph print, each edition was completed through the addition of a hand-applied golden crown.

Rooted in a practice informed by graffiti and its raw visual language, the work balances immediacy with precision, translating the tension between spontaneity and control into a single composition.

Emerging from Corentin Spear’s ongoing blue monochrome series, this edition reflects on solidarity, resilience, and the representation of femininity as a space of strength rather than fragility. Centered on two female figures positioned back to back, the work evokes a gesture of mutual protection — a quiet alliance formed in response to an environment marked by tension and hostility.

Through blurred features and monochromatic tones, the composition moves beyond individual portraiture toward a more collective presence, where identity becomes shared experience. Floral and luminous elements unfold across the surface, introducing moments of softness and hope within the intensity of the scene. Balancing emotional charge with restraint, the work affirms the female body not as an object of projection, but as a site of endurance, support, and resistance.