±MaisMenos±
2 Artwork
€0 EUR
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Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city with the aim of promoting art as an everyday experience.
Edition of /50 + 10 AP
Giclée print on paper
Signed and numbered by the artist
Natural White 270 g/m2 paper
70 × 50 cm
2024
±MaisMenos±
2 Artwork

Edition of /50 + 10 AP
Giclée print on paper
Signed and numbered by the artist
Natural White 270 g/m2 paper
70 × 50 cm
2024
Limited number of works available
±MaisMenos±
2 Artwork
Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
29.7 × 42cm
2026
Limited number of works available
Developed within the context of The Studio project at Underdogs Gallery, Transition was hand-finished by ±MaisMenos± (Miguel Januário) during his residency.
Built from a shared printed base, each edition was individually intervened upon through the addition of coloured linear lines inspired by the visual language explored throughout the residency. Applied directly by the artist, these markings shift position from print to print, creating subtle variations across the edition.
Created in parallel with a body of work developed through drawing, text, and moving image, the edition reflects the reduced and contrast-driven visual approach that characterises the artist’s practice, where clarity and ambiguity coexist within the same compositional structure.
±MaisMenos±
2 Artwork
Edition of /25 + 5 AP
Stencil on paper
Signed and numbered by the artist
Conqueror Vergé 300 g/m2 paper
70 × 50 cm
2026
*Artist’s proofs consist of the original stencil matrices collaged on paper
Emerging from BIGOD’s exploration of vernacular culture and overlooked forms of labor, this edition reflects on the circulation of images and their role in shaping collective memory. Drawing on the figure of the street newspaper seller, the work positions artistic creation as an act of distribution: something that moves, repeats, and carries urgency.
Built through layered fragments and graphic rhythms, the composition evokes processes of print and reproduction, where images accumulate and transform over time. Balancing manual gesture with industrial reference, the work establishes a dialogue between past and present, translating a street-based visual language into a form that can be held, shared, and preserved.
Edition of /30
Risograph print on paper
Signed and numbered by the artist
Arcoprint Edizioni 130 g/m2 paper
42 × 29.7 cm
2019
Edition of /50 + 10 AP
Screen print on paper
Signed and numbered by the artist
Munken Pure 240 g/m2 paper
70 × 50 cm
2013
Emerging from ±MaisMenos±’s ongoing investigation into value, consumption, and the contradictions of contemporary society, this edition transforms a familiar expression into a conceptual paradox. Through a subtle linguistic intervention, the work reverses the promise traditionally associated with wealth, replacing certainty with ambiguity.
Characteristic of the artist’s practice, language becomes both medium and subject. The statement can be read simultaneously as a critique of consumer culture and as a reflection on the commodification of absence itself — a recurring theme throughout ±MaisMenos±’s work, where even “nothing” can become a product, an image, or an object of exchange. Balancing irony with social commentary, the piece questions the systems of value through which meaning is produced, circulated, and consumed.
Edition of /100 + 15 AP
Screen print on paper with hand-deckled edges
Signed and numbered by the artist
Cream Speckletone paper
105 × 77 cm
2021
Emerging from Shepard Fairey’s ongoing exploration of the relationship between power, protest, and peace, AR-15 Lily Portugal reinterprets one of the artist’s most enduring visual motifs: a firearm transformed into a vessel for a blooming flower. Created for Portugal, the work echoes the symbolic legacy of the Carnation Revolution, where flowers became an emblem of peaceful resistance and democratic change.
Characteristic of Fairey’s practice, graphic clarity and bold iconography are employed to communicate complex political ideas through universally recognisable symbols. By juxtaposing the AR-15 rifle with a lily in full bloom, the work confronts the tension between violence and hope, destruction and renewal. Balancing the visual language of propaganda with a message of optimism, AR-15 Lily Portugal reflects on the enduring possibility of replacing conflict with dialogue and transforming symbols of division into expressions of collective resilience.
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