Judith Supine’s work has always hovered between delirium and clarity, seduction and discomfort. Known for his surreal collages that splice together fragments of the body, pop cultural debris, and dreamlike imagery, he constructs figures that feel both grotesque and hypnotic. In recalling a fever dream in the jungles between Costa Rica and Panama—hallucinating from dysentery as a Blue Morpho butterfly followed him down a dirt road—Supine describes a moment of fragility that turned into revelation, an overwhelming sense that everything would be okay. This vision encapsulates the tension at the core of his practice: the collision of beauty and decay, hallucination and prophecy, the unconscious erupting into form.

“Afterburn” distills Paul Insect’s theatrical vision of modern life, where masks and roles shift with every scene. Blending bold colour, hypnotic detail, and his signature cut-outs, the edition celebrates the messy charm of imperfection while questioning how we see and are seen in a world overloaded with information. Playful yet contemplative, it captures Insect’s irreverent spirit and his call to find authenticity behind the mask.

Afterglow – Roman Numerals” is a special variant of Paul Insect’s edition that carries an added layer of rarity and significance. Unlike the standard numbering system, this version uses Roman numerals — a timeless notation historically linked to heritage, exclusivity, and permanence. By marking the work with this classical system, Insect elevates its status, making each piece feel more like an enduring artifact than a simple edition number. This detail not only enhances the conceptual weight of the artwork but also increases its collectability and long-term value, distinguishing it as one of the most sought-after versions within the series.

In today’s world, empathy feels more urgent than ever — the ability to listen, to see through another’s eyes, to be moved by what is not your own. Art nurtures empathy by opening doors to different worlds through images and creations that speak universally. Portuguese duo Halfstudio channels this power through bold, playful typography that transforms words into vibrant visual experiences. Their limited edition print Empathy reflects imbalance and tension, showing that empathy is not effortless, but a conscious act.

As the artists put it: “A word we see everywhere: headlines, campaigns, conversations. Familiar, overused, and often emptied of meaning. Empathy isn’t easy. It asks for presence, patience, and the willingness to carry what isn’t yours. It resists comfort. It’s not embellishment. It’s an act of endurance.”

One, two, three, four, five...count the little sheep and have sweet dreams! In the sculpture "Dream Team" by Superlinox, the sheep have a fluffy mission: carrying the next with care. Forever a flock, they’re stronger side by side - or in this case, on top of each other. Like acrobats, they wobble, they balance, they smile. Cheerful and cute, they carry one another’s weight on their shoulders. But even in a dream team…isn’t someone always carrying just a little more?

Blue Dinosaur offers a satirical take on Europe as a once-powerful force now stalled by its own legacy. Through the image of a prehistoric creature, the work questions the continent’s ability to adapt in the face of global urgency. Layered with irony and symbolism, it invites reflection on the balance between tradition, transformation, and political responsibility.

Blac Dwelle’s sculpture Thecora reimagines a 19th-century Portuguese slave ship as a humanoid machine, merging history with futuristic form. Carved from wood, it confronts the legacy of colonial violence and the evolving machinery of systemic oppression. Standing in the present, it challenges each viewer: are we agents of change, or still complicit in inherited injustice?

In this special edition, Tristan Eaton fuses digital and screen printing to explore the tension between surface and depth, beauty and construction. Known for his layered approach, Eaton continues to blur the boundaries between fine art, pop culture, and street aesthetics. “Sous”captures the essence of his practice: bold, intricate, and unapologetically hybrid.

Emerging from Okuda San Miguel’s exploration of imagined metaverses, Bodegón Infinito I constructs a vibrant landscape populated by the recurring symbols that define the artist’s visual language. Geometric masks, birds, organic forms, and colourful structures coexist within a universe where physical and imagined realities merge, proposing an expansive vision of identity untethered from conventional boundaries.

Characteristic of Okuda’s practice, mathematical precision and chromatic intensity become tools for exploring diversity, freedom, and human connection. Built upon carefully orchestrated geometric compositions, the work transforms colour into a universal language through which cultures, perspectives, and ways of being can coexist. Balancing formal structure with boundless imagination, Bodegón Infinito I invites viewers into a world where difference becomes a source of harmony and where new realities emerge through the continuous interplay of symbols, colour, and perception.

“Freedom is absolute in the relativity of time and space.” In this edition, Miguel Januário transforms the format of an eye chart into a layered reflection on perception — visual, political, and historical. As the letters shrink line by line, so does the idea of freedom itself, becoming increasingly narrow, distant, and harder to hold onto. Released on the occasion of 25 April, the anniversary of Portugal’s Carnation Revolution of 1974, the editions revisit the ideals of revolution through a lens of doubt and critical observation.These works are part of ±MaisMenos±, Januário’s long-standing project that uses minimalist language and bold contradictions to expose social and political paradoxes. Operating between public space, activism, and contemporary art, his practice turns language into a site of tension — and clarity into critique.The editions are available in two formats: a large, limited edition and a smaller open edition. When purchasing the large one, the smaller is included — a gesture of sharing and accessibility that reflects the artist’s belief in the circulation of ideas.