Nuno Viegas
1 Artwork
€0 EUR
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Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city with the aim of promoting art as an everyday experience.
Edition of /15 + 5 AP
Giclée print on paper
Signed and numbered by the artist
Velvet 270 g/m2 paper
40 × 60 cm
2025
*Artist's proofs are hand-finished.
A toy train crosses the white page, each carriage proudly carrying a single letter. At first, it feels lighthearted, familiar, almost sweet. But look again. In "Toy Train", Nuno Viegas lets innocence meet resistance.
Known for his refined visual language rooted in graffiti culture, Nuno often explores the codes, symbols, and contradictions of the scene that shaped him. Here, the toy train is more than a nostalgic object - it’s a subtle nod to graffiti’s deep connection with trains, movement, and visibility.
The bright colors and shadows contrast with the sharpness of the words VANDAL and REBEL.Created at a moment when Nuno is reflecting on his experience as both a father and a graffiti writer, these works carry both tenderness and tension.
Miniature monuments to a life once lived on the margins, now reframed with care.
Nuno Viegas
1 Artwork

Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
42 × 29.7 cm
2026
Limited number of works available
Developed within the context of The Studio project at Underdogs Gallery, Nothing to Hide was hand-finished by Nuno Viegas during his residency.
Created alongside a new series of graphite and cyanotype works, the edition reflects the artist’s exploration of material transformation, controlled exposure, and gradual image construction. Extending this process into the risograph print, each edition was completed through the addition of a hand-applied golden crown.
Rooted in a practice informed by graffiti and its raw visual language, the work balances immediacy with precision, translating the tension between spontaneity and control into a single composition.
Nuno Viegas
1 Artwork
Edition of /100 + 10 AP
Giclée print on paper
Signed and numbered by the artist
Velvet 270 g/m2 paper
50 × 70 cm
2025
In the early days of graffiti, the ultimate flex in the scene had a name: wholetrain. To paint not just a single carriage but an entire moving vessel from end to end was a feat of scale, coordination, and audacity. Emerging in late-1970s New York, the wholetrain became a rite of passage: it was a moving celebration of collaboration between different artists, friendship, adrenaline, and sheer artistic nerve. When a wholetrain rolled into a station, everyone stopped. It was that powerful.
This spirit of collective creation, risk, and improvisation is the foundation of WHOLETRAINS, a project initiated by Alexandre Farto aka Vhils. He invited close friends, long-time collaborators, and some of the most important graffiti artists today — Barry McGee, OSGEMEOS, and Revok, who in different corners of the world, also grew up working on trains — to take this legendary spirit and twist it into something new. Instead of steel and subway tunnels, the structure unfolds on a long sheet of paper mapping the outline of a real train from Portugal’s Sintra Line.
Edition of /30 + 5 AP
Screen print on paper
Signed and numbered by the artist
Conqueror 300 g/m2 paper
35 × 35 cm
2025
Betweenevilandfun, Diogo Potes, a graphic designer and creative director based in Lisbon, creates monsters that don’t really want to scare. His figures live in an ambiguous space — chaotic, colourful, intense — where the grotesque is softened by vibrant palettes and a sense of humour. Influenced by punk rock and 1990s skateboard graphics, these creatures with bulging eyes and sharp teeth inherit the anarchic spirit of that era, yet reject the narrative of fear. The result is a playful and provocative visual tension — monstrous, but never hostile.
Edition of /25
Ceramic with reactive glaze finish
Signed and numbered by the artist
23 × 9 × 21 cm
2024
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