“Afterburn” distills Paul Insect’s theatrical vision of modern life, where masks and roles shift with every scene. Blending bold colour, hypnotic detail, and his signature cut-outs, the edition celebrates the messy charm of imperfection while questioning how we see and are seen in a world overloaded with information. Playful yet contemplative, it captures Insect’s irreverent spirit and his call to find authenticity behind the mask.

"Afterglow” embodies Paul Insect’s fascination with masks, identity, and the fragmented theatre of everyday life. With striking detail and his iconic graphic cut-outs, the work radiates both humour and depth — a vibrant reminder of the beauty in imperfection and the authenticity that shines through when appearances fade.

Afterglow – Roman Numerals” is a special variant of Paul Insect’s edition that carries an added layer of rarity and significance. Unlike the standard numbering system, this version uses Roman numerals — a timeless notation historically linked to heritage, exclusivity, and permanence. By marking the work with this classical system, Insect elevates its status, making each piece feel more like an enduring artifact than a simple edition number. This detail not only enhances the conceptual weight of the artwork but also increases its collectability and long-term value, distinguishing it as one of the most sought-after versions within the series.

Marking a milestone in contemporary urban art, Afterburn and Afterglow are historic editions created for Paul Insect’s first-ever exhibition in Portugal. These works distill the artist’s theatrical vision of modern life, where masks and roles shift with every scene.

Blending bold colour, hypnotic detail, and his signature cut-outs, both editions celebrate the messy charm of imperfection while questioning how we see and are seen in a world oversaturated with information. Playful yet contemplative, they capture Insect’s irreverent spirit and his call to find authenticity behind the mask.

This is a unique opportunity for collectors to secure both historic editions together, preserving a landmark moment in the artist’s career and in Underdogs’ history.

In this special edition, Tristan Eaton fuses digital and screen printing to explore the tension between surface and depth, beauty and construction. Known for his layered approach, Eaton continues to blur the boundaries between fine art, pop culture, and street aesthetics. “Sous”captures the essence of his practice: bold, intricate, and unapologetically hybrid.

Edition: Edition of /50 + 10 AP

Technique: Giclée print and eight-colour screen print on paper

Size: 68.6 × 45.7 cm

Artist: Tristan Eaton

Shipping: Plastic-free packaging

BRINCAR com letras grandes("PLAYING in big letters") is a visually vibrant and provocative composition that delves into the ambiguity between playfulness and truth, lightness and emotional manipulation. The work confronts the viewer with a saturated visual universe - filled with childhood references, fragmented objects, and clashing textures - orchestrated within an intentional chaos.At the heart of this whirlwind lies a subtle yet loaded question: “Plena mente?” (a wordplay in Portuguese suggesting both “fully conscious” and “full of lies”). The phrase operates as both riddle and critique, questioning the social habit of saying something honest in the form of a joke - only to quickly retreat behind the phrase “just kidding” when vulnerability is exposed. A gesture that simultaneously reveals and denies.The painting becomes a reflection on dishonesty wrapped in playfulness, where a playful aesthetic is used to camouflage deeper emotional tensions.  Visual elements like cherries, childlike patterns, and abrupt cutouts serve as metaphors for the desire to express honesty. “BRINCAR com letras grandes” refuses the superficiality of joking and invites a reflection on the courage it takes to stand by the truth - even when it arrives masked as laughter.

“Freedom is absolute in the relativity of time and space.” In this edition, Miguel Januário transforms the format of an eye chart into a layered reflection on perception — visual, political, and historical. As the letters shrink line by line, so does the idea of freedom itself, becoming increasingly narrow, distant, and harder to hold onto. Released on the occasion of 25 April, the anniversary of Portugal’s Carnation Revolution of 1974, the editions revisit the ideals of revolution through a lens of doubt and critical observation.These works are part of ±MaisMenos±, Januário’s long-standing project that uses minimalist language and bold contradictions to expose social and political paradoxes. Operating between public space, activism, and contemporary art, his practice turns language into a site of tension — and clarity into critique.The editions are available in two formats: a large, limited edition and a smaller open edition. When purchasing the large one, the smaller is included — a gesture of sharing and accessibility that reflects the artist’s belief in the circulation of ideas.

One, two, three, four, five...count the little sheep and have sweet dreams! In the sculpture "Dream Team" by Superlinox, the sheep have a fluffy mission: carrying the next with care. Forever a flock, they’re stronger side by side - or in this case, on top of each other. Like acrobats, they wobble, they balance, they smile. Cheerful and cute, they carry one another’s weight on their shoulders. But even in a dream team…isn’t someone always carrying just a little more?