Emerging from Raquel Belli's ongoing exploration of perception, identity, and the spaces between certainty and ambiguity, Mirror-Mirror reflects on the ways images are constructed, fragmented, and reassembled. Through a woven visual structure that simultaneously reveals and obscures the portrait, the work resists a fixed reading, inviting the viewer to inhabit the shifting space between recognition and abstraction.

Characteristic of Belli's practice, photography is transformed through processes of weaving and reconstruction, where the image becomes both object and illusion. In this series, the artist also incorporates artificial intelligence into her creative process for the first time, introducing a new layer of mediation between the photographed subject and its material transformation. The dialogue between digital generation and handcrafted intervention blurs the boundaries between reality and simulation, allowing multiple perspectives to coexist within a single image. Balancing technology with materiality, Mirror-Mirror reflects on identity as something continuously constructed, negotiated, and reimagined.

Emerging from Okuda San Miguel’s exploration of imagined metaverses, Bodegón Infinito I constructs a vibrant landscape populated by the recurring symbols that define the artist’s visual language. Geometric masks, birds, organic forms, and colourful structures coexist within a universe where physical and imagined realities merge, proposing an expansive vision of identity untethered from conventional boundaries.

Characteristic of Okuda’s practice, mathematical precision and chromatic intensity become tools for exploring diversity, freedom, and human connection. Built upon carefully orchestrated geometric compositions, the work transforms colour into a universal language through which cultures, perspectives, and ways of being can coexist. Balancing formal structure with boundless imagination, Bodegón Infinito I invites viewers into a world where difference becomes a source of harmony and where new realities emerge through the continuous interplay of symbols, colour, and perception.

Emerging from Kruella D'Enfer's ongoing exploration of the relationship between nature, symbolism, and inner landscapes, Natural High reflects on the quiet moments in which contentment is found not in perfection, but in acceptance. Organic forms, luminous colours, and recurring natural motifs come together to construct an imagined environment where beauty emerges through balance rather than certainty.

Characteristic of Kruella D'Enfer's practice, elements drawn from the natural world become metaphors for emotional states and personal reflection. Blending dreamlike imagery with a refined graphic language, the work invites viewers to embrace imperfection as an essential part of harmony. Balancing contemplation with optimism, Natural High suggests that fulfilment often resides not in the pursuit of an ideal, but in the ability to recognise and appreciate the beauty already present around us.