Emerging from Pedrita Studio’s ongoing exploration of material memory and the Portuguese tile as a visual language, 6 Leonar brings together two forms of reclaimed material. A cropped portrait sourced from an old photograph is reconstructed through ceramic fragments, each tile functioning as a pixel within the larger image. The title itself preserves a trace of the photograph’s original life, borrowing the name Leonar from the brand of photographic paper printed on its reverse.

Characteristic of Pedrita Studio’s practice, collection and recomposition become ways of giving existing materials new narratives. Despite its intimate scale, the work brings together a remarkable diversity of ceramic techniques, from discontinued Portuguese industrial trims to hand-glazed and hand-painted tiles and ceramic decals. As these fragments are selected from the studio’s evolving archive, every work in the edition is different. Moving between photography and ceramic, portraiture and abstraction, repetition and singularity, 6 Leonar gives both image and material a new life while preserving traces of where they came from.

“Freedom is absolute in the relativity of time and space.” In this edition, Miguel Januário transforms the format of an eye chart into a layered reflection on perception — visual, political, and historical. As the letters shrink line by line, so does the idea of freedom itself, becoming increasingly narrow, distant, and harder to hold onto. Released on the occasion of 25 April, the anniversary of Portugal’s Carnation Revolution of 1974, the editions revisit the ideals of revolution through a lens of doubt and critical observation.These works are part of ±MaisMenos±, Januário’s long-standing project that uses minimalist language and bold contradictions to expose social and political paradoxes. Operating between public space, activism, and contemporary art, his practice turns language into a site of tension — and clarity into critique.The editions are available in two formats: a large, limited edition and a smaller open edition. When purchasing the large one, the smaller is included — a gesture of sharing and accessibility that reflects the artist’s belief in the circulation of ideas.

In today’s world, empathy feels more urgent than ever — the ability to listen, to see through another’s eyes, to be moved by what is not your own. Art nurtures empathy by opening doors to different worlds through images and creations that speak universally. Portuguese duo Halfstudio channels this power through bold, playful typography that transforms words into vibrant visual experiences. Their limited edition print Empathy reflects imbalance and tension, showing that empathy is not effortless, but a conscious act.

As the artists put it: “A word we see everywhere: headlines, campaigns, conversations. Familiar, overused, and often emptied of meaning. Empathy isn’t easy. It asks for presence, patience, and the willingness to carry what isn’t yours. It resists comfort. It’s not embellishment. It’s an act of endurance.”

EXIsT unfolds from João Fortuna’s investigation into the condition of the individual within cycles of acceleration and repetition. Composed through a vocabulary of fragmented visual codes, the work reflects a state where existence becomes mechanical, reduced to sequences of inputs and outputs, gestures and routines. Suspended between awareness and automatism, the piece traces a closed loop where meaning dissolves into repetition. Within this tension, between staying and escaping, permanence and rupture, EXIsT captures the fragile threshold where consciousness resists being absorbed into the system.

“Freedom is absolute in the relativity of time and space.” In this edition, Miguel Januário transforms the format of an eye chart into a layered reflection on perception — visual, political, and historical. As the letters shrink line by line, so does the idea of freedom itself, becoming increasingly narrow, distant, and harder to hold onto. Released on the occasion of 25 April, the anniversary of Portugal’s Carnation Revolution of 1974, the editions revisit the ideals of revolution through a lens of doubt and critical observation.These works are part of ±MaisMenos±, Januário’s long-standing project that uses minimalist language and bold contradictions to expose social and political paradoxes. Operating between public space, activism, and contemporary art, his practice turns language into a site of tension — and clarity into critique.The editions are available in two formats: a large, limited edition and a smaller open edition. When purchasing the large one, the smaller is included — a gesture of sharing and accessibility that reflects the artist’s belief in the circulation of ideas.