AZ559 (BLUEPRINT GLITCH)’ is the result of a visual reflection on continuity and transformation of form. The pattern, its digital transformation, the human-made, the digital and the traditional, are here symbols of memory. Digital vs manual reconfigurations.

Speto is one of Brazil’s most influential street artists, and a true pioneer of graffiti in Latin America. Born and raised in São Paulo, he began painting in the late 1980s, when graffiti was still emerging in Brazil, and quickly became known for a style that combined bold lines, vibrant colors, and references drawn from Brazilian culture.

Throughout his career, Speto has built bridges between different worlds. His art is deeply rooted in Brazil, but it also connects with American influences such as hip hop, pop, and urban culture. Music plays a central role in his practice, shaping his rhythm, his compositions, and the energy of his works.For this edition, Speto turns to his own heritage and the women who have marked his personal story.

"Carmelita" presents a powerful Brazilian woman as its central figure. She is strong, almost mystical, and her dress carries an indigenous-inspired pattern that speaks of ancestry, tradition, and resistance.The work celebrates not only femininity but also the resilience of Brazilian identity — an identity that has always been built in dialogue, between past and present, between local roots and global sounds.

John Andrew Perello, known as JonOne, is a pioneer of graffiti who emerged from New York’s 1980s scene - crossing paths with Basquiat and Warhol -before moving to Paris in 1987. "Bleu Horizons" distills his signature “tag-as-gesture” into a limited edition that layers sweeping calligraphic strokes, splashes, and drips across a deep field of blues. The work channels the speed and improvisation of the street into a controlled, rhythmic composition, capturing JonOne’s trademark energy while pushing his language of color and movement into a refined, collectible format.

This edition began on the island of Lesvos, Greece, where El Seed visited the Moria refugee camp — destroyed by fire in 2020, leaving over 13,000 people without a home. During his visit, he met Achmad, an Afghan refugee, who pointed to the exact spot where his tent once stood. Gesturing to the sea and olive trees behind him, Achmad told the artist: “This was my house. Look at the view!”

That encounter became the starting point for this work. Inspired by Achmad’s words and by the landscape of Lesvos, El Seed created a piece inscribed with a line from the island-born poet Odysseas Elytis:“Always, always, you pass through fire to reach the shining.”This edition encapsulates that message: a powerful testimony to resilience and strength in the face of displacement.

Judith Supine’s work has always hovered between delirium and clarity, seduction and discomfort. Known for his surreal collages that splice together fragments of the body, pop cultural debris, and dreamlike imagery, he constructs figures that feel both grotesque and hypnotic. In recalling a fever dream in the jungles between Costa Rica and Panama—hallucinating from dysentery as a Blue Morpho butterfly followed him down a dirt road—Supine describes a moment of fragility that turned into revelation, an overwhelming sense that everything would be okay. This vision encapsulates the tension at the core of his practice: the collision of beauty and decay, hallucination and prophecy, the unconscious erupting into form.