Pastel
0 Artwork
€0 EUR
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Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city with the aim of promoting art as an everyday experience.
Edition of /30 + 5 AP
Sixteen-colour screen print and gold leaf on paper
Signed and numbered by the artist
Keaykolour White 300 g/m2 paper
47 × 54 cm
2019
Pastel
0 Artwork

Edition of /20 + 5 AP
Five-colour screen print on paper
Signed and numbered by the artist
Markatto 250 g/m2 paper
40 × 40 cm
2026
*Artist's proofs are hand-finished
Amanda Lobos is an illustrator and designer from Espírito Santo, Brazil, who works with digital illustrations, murals, graphic projects, and other formats.
Her work explores an aesthetic that goes beyond personal experiences, finding in fantasy, detail, and exaggeration a form of celebration.
Working as a freelancer since 2018, she has been nationally and internationally awarded for her portfolio.
Her clients include Google, Apple, Adobe, YouTube, Vans, Adidas, Olympikus, Lollapalooza, Hershey’s, Disney+ and HBO.
Emerging from Amanda Lobo’s visual universe, this edition reflects on the construction of the self as both exposed and protected. Figures take shape through layers of detail and ornament, forming a kind of external armor: a surface that both conceals and safeguards an inner core. Drawing from her language of fantasy and exaggeration, the work transforms vulnerability into structure, where decoration becomes defense, and identity is held in tension between what is shown and what is kept intact.
Edition of /25 + 5 AP
Giclée print on paper and varnish screen printed on paper
Signed and numbered by the artist
Velvet 270 g/m2 paper
70 × 50 cm
2026
*Artist's proofs also available
Timur Fork is a Moscow-based street artist who has been a key figure in the Russian graffiti movement since the early 2000s. From the beginning of his practice, he has favoured character-based compositions over traditional lettering, capturing figures across cities such as Moscow, Barcelona, Paris and Osaka. His career includes participation in major international festivals and projects, including Write4Gold, Secret Walls and the ARTMOSSPHERE Street Art Biennale.
A turning point came in 2017, when an injury led to a prolonged break from street work. During this period, Fork began transitioning from graffiti to studio practice, transferring his street experience onto canvas while seeking new techniques and deeper meanings. Between 2018 and 2020, he lived in Barcelona, where he continued to develop his work through painting and design projects.
Currently based in Moscow, Timur Fork has established his signature style, “plasticine realism,” characterised by hyperrealistic depictions of sculpted, clay-like forms. His work combines humour, colour intensity and a sense of playful illusion, using simple visual language to evoke complex emotional responses and reflect on contemporary perception.
This edition emerges from Timur Fork’s reflection on navigating a present saturated with information and uncertainty. Against this diffuse background, the work insists on the possibility of connection, of reaching outward, of sustaining optimism as a deliberate act. Positioned between fragility and resilience, it proposes a quiet form of resistance: to continue imagining, planning, and caring despite the noise. Here, optimism is not naive, but constructed, held together through gestures of mutual support and the persistent search for freedom.
Edition of /50
Three-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2023
William LaChance is an American artist based in St. Louis whose practice blends painting, printmaking, textile design, and assemblage. His work often juxtaposes diverse visual references—from fashion and design to art history and natural forms. By combining unexpected materials and imagery, LaChance creates hybrid compositions that blur the boundaries between fine art and applied design.
The vast landscapes of Oregon felt both cinematic and theatrical to William LaChance. Observing small-town life and expansive scenery, he perceived the environment as a stage inhabited by characters. Drawing from this narrative quality, he created a composition where figure and ground blur within painterly abstraction. The print references folk traditions and artificial silhouettes, highlighting the tension between authenticity and artifice. It captures a landscape transformed by imagination, where environment and storytelling merge into a contemplative scene.
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