“Leap” captures the essence of movement, ambition, and hope. This high-quality giclée print combines JR’s signature photographic language with Vhils’ unique approach to materiality and texture. The image—a child reaching beyond his immediate reality—is elevated by Vhils’ sculptural sensibility, especially evident in the AP & RN versions, where paste-up elements create a layered, tactile depth. Printed on richly textured paper, this edition reflects the artists’ shared vision of resilience and transcendence, offering a striking testament to the power of collaboration and the enduring strength of human dreams.

One, two, three, four, five...count the little sheep and have sweet dreams! In the sculpture "Dream Team" by Superlinox, the sheep have a fluffy mission: carrying the next with care. Forever a flock, they’re stronger side by side - or in this case, on top of each other. Like acrobats, they wobble, they balance, they smile. Cheerful and cute, they carry one another’s weight on their shoulders. But even in a dream team…isn’t someone always carrying just a little more?

Blue Dinosaur offers a satirical take on Europe as a once-powerful force now stalled by its own legacy. Through the image of a prehistoric creature, the work questions the continent’s ability to adapt in the face of global urgency. Layered with irony and symbolism, it invites reflection on the balance between tradition, transformation, and political responsibility.

Blac Dwelle’s sculpture Thecora reimagines a 19th-century Portuguese slave ship as a humanoid machine, merging history with futuristic form. Carved from wood, it confronts the legacy of colonial violence and the evolving machinery of systemic oppression. Standing in the present, it challenges each viewer: are we agents of change, or still complicit in inherited injustice?

Fauna Material marks the first collaborative print by artists Add Fuel (Cascais, Portugal) and PichiAvo (Valencia, Spain). This piece unites their creative languages, blending the timeless presence of classical art—embodied in the mythological figure of the faun—with the refined beauty of traditional Portuguese tilework, which forms the backdrop of the composition.

Each video artwork editions continues a series Vhils began in 2011, using
his signature technique of controlled explosion. By literally creating through
destruction, the artist reveals what lies beneath the surface, both physically
and metaphorically. Captured with high-speed cameras, the moment of
detonation becomes a fleeting, lyrical gesture, imperceptible to the human eye,
yet rendered visible through technology. It is in this invisible instant that Vhils
uncovers a new form of beauty: one that emerges from force, fragmentation,
and the delicate choreography of demolition.

In this special edition, Tristan Eaton fuses digital and screen printing to explore the tension between surface and depth, beauty and construction. Known for his layered approach, Eaton continues to blur the boundaries between fine art, pop culture, and street aesthetics. “Sous”captures the essence of his practice: bold, intricate, and unapologetically hybrid.

Edition: Edition of /50 + 10 AP

Technique: Giclée print and eight-colour screen print on paper

Size: 68.6 × 45.7 cm

Artist: Tristan Eaton

Shipping: Plastic-free packaging

Betweenevilandfun, Diogo Potes, a graphic designer and creative director based in Lisbon, creates monsters that don’t really want to scare. His figures live in an ambiguous space — chaotic, colourful, intense — where the grotesque is softened by vibrant palettes and a sense of humour. Influenced by punk rock and 1990s skateboard graphics, these creatures with bulging eyes and sharp teeth inherit the anarchic spirit of that era, yet reject the narrative of fear. The result is a playful and provocative visual tension — monstrous, but never hostile.