Tamara Alves
2 Artwork
€0 EUR
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Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city with the aim of promoting art as an everyday experience.
These editions are released as part of The Studio, a five-week programme of artist residencies at Underdogs. At the time of purchase, the final image of each edition is intentionally not revealed. The visuals shown on this page are blurred, as the works are still in progress.
During their residencies at Underdogs, the artists will intervene on the editions in direct dialogue with the pieces they develop in the gallery. What you are acquiring is a work that continues to evolve over time. The final versions of all editions will be revealed on 15 May, at the opening of The Studio exhibition, as well as online.
Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
42 × 29.7 cm
2026
Shipping and pick-up from May 17th
Tamara Alves is a Lisbon-based Portuguese visual artist whose practice spans over twenty years, working across drawing, painting, installation and public interventions. Rooted in urban culture and driven by a raw, poetic language, her work explores instinct, desire and the emotional intensity of human experience, often through symbolic human and animal figures.
Tamara Alves maintains a long-standing collaboration with Underdogs, including her recent solo exhibition And Your Flesh Becomes a Poem (2025), along with several other exhibitions, edition releases and public art projects. Her work has been presented in solo and group exhibitions in galleries and institutions, as well as through extensive public interventions in Portugal and abroad.
This edition explores the coexistence of opposing states within the body and the emotional experience. Starting from a restrained portrait, the introduction of unstable, dripping gestures and smudges creates a tension between control and loss.
The red, in contrast to the greys, acts as a disruptive element, bringing intensity to the image. The title, inspired by a poem by Charles Bukowski, reinforces this paradoxical condition, where different forces intersect within the same body.
Shipping and pick-up from May 17th
Tamara Alves
2 Artwork

These editions are released as part of The Studio, a five-week programme of artist residencies at Underdogs. At the time of purchase, the final image of each edition is intentionally not revealed. The visuals shown on this page are blurred, as the works are still in progress.
During their residencies at Underdogs, the artists will intervene on the editions in direct dialogue with the pieces they develop in the gallery. What you are acquiring is a work that continues to evolve over time. The final versions of all editions will be revealed on 15 May, at the opening of The Studio exhibition, as well as online.
Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
42 × 29.7 cm
2026
Shipping and pick-up from May 17th
Limited number of works available
This edition explores the coexistence of opposing states within the body and the emotional experience. Starting from a restrained portrait, the introduction of unstable, dripping gestures and smudges creates a tension between control and loss.
The red, in contrast to the greys, acts as a disruptive element, bringing intensity to the image. The title, inspired by a poem by Charles Bukowski, reinforces this paradoxical condition, where different forces intersect within the same body.
Shipping and pick-up from May 17th
Tamara Alves
2 Artwork
Edition of /20 + 5 AP
Direct print on acrylic
Hand-finished, signed and numbered by the artist
21 × 15 × 4 cm
2026
Few Left
Restlessemerges from Tamara Alves’ ongoing exploration of the body as a site of inscription, vulnerability, and resistance. Developed from a unique work first presented in her most recent solo exhibition at Underdogs,And Your Flesh Becomes a Poem, the edition translates physical and emotional intensity into an intimate object, where language is permanently engraved with a tattoo machine into layered acrylic. Through this gesture, writing becomes trace and memory, activating a sustained tension between presence, silence, and the passage of time.
Tamara Alves
2 Artwork
These editions are released as part of The Studio, a five-week programme of artist residencies at Underdogs. At the time of purchase, the final image of each edition is intentionally not revealed. The visuals shown on this page are blurred, as the works are still in progress.
During their residencies at Underdogs, the artists will intervene on the editions in direct dialogue with the pieces they develop in the gallery. What you are acquiring is a work that continues to evolve over time. The final versions of all editions will be revealed on 15 May, at the opening of The Studio exhibition, as well as online.
Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
42 × 29.7 cm
2026
Shipping and pick-up from May 17th
Wasted Rita is a Portuguese visual artist whose practice combines text, drawing, sculpture and installation to explore a critical and confessional perspective on contemporary life. Known for her sharp, ironic voice, her work reflects a love–hate relationship with the world, blending sarcasm, vulnerability and dark humour.
Since 2011, she has presented her work in exhibitions, institutions and art events across Europe, North America and Asia, including venues such as MAAT (Lisbon), Dismaland (UK) and Underdogs Gallery (Lisbon). She maintains a long-standing collaboration with Underdogs, including several exhibitions, edition releases and public art interventions.
Bring staring at a wall back" is a risograph edition featuring a sentence written in pencil, on paper, during an episode of visual information overload. It is about a desire - constantly contradicted by reality - to be nothing, look like nothing, and see nothing.
This piece serves as a driving force for the work developed during the residency week at Underdogs, where the creative process - commonly dependent on controlled and wholesome solitude and physical comfort in constant emotional tension - is explored, resulting in visceral relief poured onto notebook pages. This edition is a manifesto of devotion to small acts of boredom, to the calm of tedium - like staring at the ceiling thinking about life.
Shipping and pick-up from May 17th
These editions are released as part of The Studio, a five-week programme of artist residencies at Underdogs. At the time of purchase, the final image of each edition is intentionally not revealed. The visuals shown on this page are blurred, as the works are still in progress.
During their residencies at Underdogs, the artists will intervene on the editions in direct dialogue with the pieces they develop in the gallery. What you are acquiring is a work that continues to evolve over time. The final versions of all editions will be revealed on 15 May, at the opening of The Studio exhibition, as well as online.
Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
29.7 × 42cm
2026
Shipping and pick-up from May 17th
±MAISMENOS± is the artistic project of Miguel Januário, a Portuguese designer and visual artist whose practice focuses on civic, political and social intervention at the intersection of art, design and public space. Developed over more than two decades, the project has become a reference in contemporary urban art, using language as a central tool to question systems of power, ideology and collective behaviour. Working across multiple media – including installation, painting, video and performance – his work has been presented in exhibitions, institutions and public space interventions in Portugal and internationally. He maintains an active collaboration with various cultural and civic institutions.
Lost in Transition"marks the entry of the ± project into a new phase. After two decades, this third part shifts the work towards moving image, animation and mediatic instability, embracing transition not merely as a theme, but as a condition of the present.
The phrase suggests a state of suspension: between phases, between languages, between the real and its representation. But it also speaks of a more internal place within the project itself: an ongoing passage, in which the next direction is not yet fully defined. Drawing from an aesthetic close to glitch, television noise and signal failure, the piece evokes a mediatic imaginary where reality appears increasingly filtered and fragmented. The screen ceases to be merely a support and becomes a metaphor for a world in permanent interference, where everything seems to happen simultaneously - between overload, noise and simulation.
During the residency, this idea extends through drawing on black paper, bringing it closer to the logic of the screen and the animated frame. More than representing images, the work seeks to build a sensation of continuous transition: that of a project entering a new decade without a fully settled destination, and that of a world that seems no longer able to clearly distinguish between experience, mediation and vertigo
Shipping and pick-up from May 17th
These editions are released as part of The Studio, a five-week programme of artist residencies at Underdogs. At the time of purchase, the final image of each edition is intentionally not revealed. The visuals shown on this page are blurred, as the works are still in progress.
During their residencies at Underdogs, the artists will intervene on the editions in direct dialogue with the pieces they develop in the gallery. What you are acquiring is a work that continues to evolve over time. The final versions of all editions will be revealed on 15 May, at the opening of The Studio exhibition, as well as online.
Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
42 × 29.7 cm
2026
Shipping and pick-up from May 17th
Rita João co-founded, with Pedro Ferreira, the multidisciplinary design studio Pedrita Studio, based in Lisbon since 2005. The studio’s practice includes art direction, spatial design, conceptual art installations, NFTs, and tile panels. These panels, abstract compositions of color and texture that combine discontinued Portuguese tiles from the 1960s onwards, express the studio’s strong connection to tile-making and its ability to transform memories of the past into a contemporary language.
Rita João studied Design in Lisbon and in Delft. She began her professional career in 2002 in the 3D department of Fabrica, the communication research center of the Benetton group. She is co-author of the book Fabrico Próprio – o design da pastelaria semi-industrial portuguesa. Between 2015 and 2018, she taught Spatial Design at ESAD Caldas da Rainha and is currently a lecturer in the Design degree at the Faculty of Architecture of the University of Lisbon.
Mimixa 003.jpgis a glimpse into the vast archive of discarded digital matrices at Pedrita Studio. Throughout the process of testing and development, every matrix is preserved for later analysis. Often, unexpected results - born from intricate photo details or technical database constraints - reveal curious effects that eventually find their way into future artworks.
Shipping and pick-up from May 17th
These editions are released as part of The Studio, a five-week programme of artist residencies at Underdogs. At the time of purchase, the final image of each edition is intentionally not revealed. The visuals shown on this page are blurred, as the works are still in progress.
During their residencies at Underdogs, the artists will intervene on the editions in direct dialogue with the pieces they develop in the gallery. What you are acquiring is a work that continues to evolve over time. The final versions of all editions will be revealed on 15 May, at the opening of The Studio exhibition, as well as online.
Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
42 × 29.7 cm
2026
Shipping and pick-up from May 17th
Nuno Viegas, also known as Metis, is a Portuguese visual artist based in Quarteira - Algarve. His practice is deeply rooted in graffiti culture, spanning painting, public interventions and large-scale murals. His work explores the tension between the raw energy of traditional graffiti and its refined, controlled representation in studio practice. After studying Visual Arts at the University of Algarve, he lived in Rotterdam, where he further developed his artistic language. His work has since been presented internationally in galleries, institutions and urban art contexts, collaborating with platforms such as Urban Nation (Berlin), Thinkspace Gallery (Los Angeles), and Yasha Young Projects. Nuno Viegas maintains an ongoing collaboration with Underdogs, which includes exhibitions, editions and public art interventions.
Nothing to Hide'plays with a visual composition reminiscent of the crucifixion of Christ - the messenger sacrificed for the message. The figure adopts a familiar gesture of openness: arms extended as if saying, "check me," posing no threat and showing a willingness to be searched. Yet the identity of the figure remains deliberately anonymous and impossible to verify.
The work shifts the focus away from who the messenger is and toward what is being carried. In a time when propaganda wars are at their peak and truth easily slips between competing narratives, the piece questions our instinct to judge the messenger rather than the message. Suspended between exposure and concealment, the figure suggests that identity is irrelevant. What ultimately matters is the message itself - something that should remain check-proof: the truth
Shipping and pick-up from May 17th
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