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Transition (Mystery Edition)

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These editions are released as part of The Studio, a five-week programme of artist residencies at Underdogs. At the time of purchase, the final image of each edition is intentionally not revealed. The visuals shown on this page are blurred, as the works are still in progress.

During their residencies at Underdogs, the artists will intervene on the editions in direct dialogue with the pieces they develop in the gallery. What you are acquiring is a work that continues to evolve over time. The final versions of all editions will be revealed on 15 May, at the opening of The Studio exhibition, as well as online.

 

Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
29.7 × 42cm
2026

Shipping and pick-up from May 17th

Regular price €150 EUR
Regular price Sale price €150 EUR

±MAISMENOS± is the artistic project of Miguel Januário, a Portuguese designer and visual artist whose practice focuses on civic, political and social intervention at the intersection of art, design and public space. Developed over more than two decades, the project has become a reference in contemporary urban art, using language as a central tool to question systems of power, ideology and collective behaviour. Working across multiple media – including installation, painting, video and performance – his work has been presented in exhibitions, institutions and public space interventions in Portugal and internationally. He maintains an active collaboration with various cultural and civic institutions.

Lost in Transition"marks the entry of the ± project into a new phase. After two decades, this third part shifts the work towards moving image, animation and mediatic instability, embracing transition not merely as a theme, but as a condition of the present.

The phrase suggests a state of suspension: between phases, between languages, between the real and its representation. But it also speaks of a more internal place within the project itself: an ongoing passage, in which the next direction is not yet fully defined. Drawing from an aesthetic close to glitch, television noise and signal failure, the piece evokes a mediatic imaginary where reality appears increasingly filtered and fragmented. The screen ceases to be merely a support and becomes a metaphor for a world in permanent interference, where everything seems to happen simultaneously - between overload, noise and simulation.

During the residency, this idea extends through drawing on black paper, bringing it closer to the logic of the screen and the animated frame. More than representing images, the work seeks to build a sensation of continuous transition: that of a project entering a new decade without a fully settled destination, and that of a world that seems no longer able to clearly distinguish between experience, mediation and vertigo

Shipping and pick-up from May 17th

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