The Art of Rage
0 Artwork
€0 EUR
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Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city with the aim of promoting art as an everyday experience.
Edition of /30 + 5 AP
Screen print on paper
Signed and numbered by the artist
Arches Velin 250 g/m2 paper with deckled edges
76 × 56 cm
2022
The Art of Rage
0 Artwork

Edition of /50
Three-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2023
William LaChance is an American artist based in St. Louis whose practice blends painting, printmaking, textile design, and assemblage. His work often juxtaposes diverse visual references—from fashion and design to art history and natural forms. By combining unexpected materials and imagery, LaChance creates hybrid compositions that blur the boundaries between fine art and applied design.
The vast landscapes of Oregon felt both cinematic and theatrical to William LaChance. Observing small-town life and expansive scenery, he perceived the environment as a stage inhabited by characters. Drawing from this narrative quality, he created a composition where figure and ground blur within painterly abstraction. The print references folk traditions and artificial silhouettes, highlighting the tension between authenticity and artifice. It captures a landscape transformed by imagination, where environment and storytelling merge into a contemplative scene.
Edition of /40 + 10 AP
Four-colour screen print on paper
Signed and numbered by the artist
100% Cotton Somerset radiant white 410 g/m2 paper
50 × 70 cm
2026
Emerging from Kai Clements’ ongoing exploration of movement, rhythm, and the invisible forces that shape our environment, Mixed Motion unfolds through an intricate network of flowing lines that continuously shift between order and unpredictability. Built through an intuitive process rather than a predetermined pattern, the composition evokes the frequencies, energies, and natural rhythms that exist beneath the surface of our everyday perception.
Characteristic of Clements’ practice, precision and spontaneity coexist within the same visual language. Variations in line density and tonal transitions create a sense of movement and depth, allowing the eye to navigate the composition through moments of tension and release. Balancing structure with fluidity, Mixed Motion reflects on the ever-changing nature of perception, suggesting that harmony is not found in stillness, but in the dynamic equilibrium of opposing forces.
Edition of /75 + 10 AP
Screen print on paper
Signed and numbered by the artist
Keaykolour White 300 g/m2 paper
50.5 × 50.5 cm
2022
Edition of /35 + 5 AP
Screen print on paper
Signed and numbered by the artist
Keaykolour Camel Recycled 300 g/m2 paper
70 × 60 cm
2022
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