Petra.Preta
0 Artwork
€0 EUR
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Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city with the aim of promoting art as an everyday experience.
Edition of /12
Giclée print on paper
Signed and numbered by the artist
Smooth FineArt 270 g/m2 paper
29.7 × 42 cm
2025
Underdogs celebrates the 25th of April with the launch of a special series of editions by seven Portuguese artists who, although they did not experience the revolution firsthand, grew up with its legacy deeply embedded in the fabric of society. This year marks 51 years since the Carnation Revolution — a historical moment that ended decades of dictatorship and restored democracy in Portugal. The works emerged from an invitation by Underdogs to engage in a dialogue with iconic photographs by Alfredo Cunha — one of Portugal’s most important photojournalists. With a sharp and sensitive eye, Cunha captured defining moments of April 25, 1974, immortalising expressions of freedom, confrontation, silence, and hope.
Each artist was invited to choose, reflect on, and respond to one of these images, inviting viewers to step into a portal through time and offering a new, personal reading of the past. Originally presented in the exhibition Portais do Tempo, held at the former Lisnave shipyards in Almada in 2023, these powerful works are now being relaunched as limited editions — produced in the same format and with identical margins. Each edition will be sold at the same price, making them accessible to a wider audience and reaffirming the importance of keeping alive the reflection on what freedom means, and what it continues to mean, today.
Preta.Preta reinterprets one of Alfredo Cunha’s most unsettling photographs — a scene of silence and emptiness, where no human figure is present, yet a weapon dominates the frame at Terreiro do Paço. In her work, the artist explores this absence, giving symbolic power to colour: red evokes the revolution and the carnation; blue represents what is silenced, ignored, or censored. Her composition reflects on today's realities — poverty, gentrification, conflict — and asks what remains of the hope captured in 1974.
Petra.Preta
0 Artwork

Edition of /100 + 15 AP
Screen print on paper with hand-deckled edges
Signed and numbered by the artist
Cream Speckletone paper
105 × 77 cm
2021
Emerging from Shepard Fairey’s ongoing exploration of the relationship between power, protest, and peace, AR-15 Lily Portugal reinterprets one of the artist’s most enduring visual motifs: a firearm transformed into a vessel for a blooming flower. Created for Portugal, the work echoes the symbolic legacy of the Carnation Revolution, where flowers became an emblem of peaceful resistance and democratic change.
Characteristic of Fairey’s practice, graphic clarity and bold iconography are employed to communicate complex political ideas through universally recognisable symbols. By juxtaposing the AR-15 rifle with a lily in full bloom, the work confronts the tension between violence and hope, destruction and renewal. Balancing the visual language of propaganda with a message of optimism, AR-15 Lily Portugal reflects on the enduring possibility of replacing conflict with dialogue and transforming symbols of division into expressions of collective resilience.
Edition of /50 + 10 AP
Giclée print on paper
Signed and numbered by the artist
Natural White 270 g/m2 paper
70 × 50 cm
2024
Edition of /25 + 5 AP
Stencil on paper
Signed and numbered by the artist
Conqueror Vergé 300 g/m2 paper
70 × 50 cm
2026
*Artist’s proofs consist of the original stencil matrices collaged on paper
Emerging from BIGOD’s exploration of vernacular culture and overlooked forms of labor, this edition reflects on the circulation of images and their role in shaping collective memory. Drawing on the figure of the street newspaper seller, the work positions artistic creation as an act of distribution: something that moves, repeats, and carries urgency.
Built through layered fragments and graphic rhythms, the composition evokes processes of print and reproduction, where images accumulate and transform over time. Balancing manual gesture with industrial reference, the work establishes a dialogue between past and present, translating a street-based visual language into a form that can be held, shared, and preserved.
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