Speto is one of Brazil’s most influential street artists, and a true pioneer of graffiti in Latin America. Born and raised in São Paulo, he began painting in the late 1980s, when graffiti was still emerging in Brazil, and quickly became known for a style that combined bold lines, vibrant colors, and references drawn from Brazilian culture.

Throughout his career, Speto has built bridges between different worlds. His art is deeply rooted in Brazil, but it also connects with American influences such as hip hop, pop, and urban culture. Music plays a central role in his practice, shaping his rhythm, his compositions, and the energy of his works.For this edition, Speto turns to his own heritage and the women who have marked his personal story.

"Carmelita" presents a powerful Brazilian woman as its central figure. She is strong, almost mystical, and her dress carries an indigenous-inspired pattern that speaks of ancestry, tradition, and resistance.The work celebrates not only femininity but also the resilience of Brazilian identity — an identity that has always been built in dialogue, between past and present, between local roots and global sounds.

In this special edition, Tristan Eaton fuses digital and screen printing to explore the tension between surface and depth, beauty and construction. Known for his layered approach, Eaton continues to blur the boundaries between fine art, pop culture, and street aesthetics. “Sous”captures the essence of his practice: bold, intricate, and unapologetically hybrid.

Betweenevilandfun, Diogo Potes, a graphic designer and creative director based in Lisbon, creates monsters that don’t really want to scare. His figures live in an ambiguous space — chaotic, colourful, intense — where the grotesque is softened by vibrant palettes and a sense of humour. Influenced by punk rock and 1990s skateboard graphics, these creatures with bulging eyes and sharp teeth inherit the anarchic spirit of that era, yet reject the narrative of fear. The result is a playful and provocative visual tension — monstrous, but never hostile.

“Freedom is absolute in the relativity of time and space.” In this edition, Miguel Januário transforms the format of an eye chart into a layered reflection on perception — visual, political, and historical. As the letters shrink line by line, so does the idea of freedom itself, becoming increasingly narrow, distant, and harder to hold onto. Released on the occasion of 25 April, the anniversary of Portugal’s Carnation Revolution of 1974, the editions revisit the ideals of revolution through a lens of doubt and critical observation.These works are part of ±MaisMenos±, Januário’s long-standing project that uses minimalist language and bold contradictions to expose social and political paradoxes. Operating between public space, activism, and contemporary art, his practice turns language into a site of tension — and clarity into critique.The editions are available in two formats: a large, limited edition and a smaller open edition. When purchasing the large one, the smaller is included — a gesture of sharing and accessibility that reflects the artist’s belief in the circulation of ideas.

Emerging from Raquel Belli's ongoing exploration of perception, identity, and the spaces between certainty and ambiguity, Mirror-Mirror reflects on the ways images are constructed, fragmented, and reassembled. Through a woven visual structure that simultaneously reveals and obscures the portrait, the work resists a fixed reading, inviting the viewer to inhabit the shifting space between recognition and abstraction.

Characteristic of Belli's practice, photography is transformed through processes of weaving and reconstruction, where the image becomes both object and illusion. In this series, the artist also incorporates artificial intelligence into her creative process for the first time, introducing a new layer of mediation between the photographed subject and its material transformation. The dialogue between digital generation and handcrafted intervention blurs the boundaries between reality and simulation, allowing multiple perspectives to coexist within a single image. Balancing technology with materiality, Mirror-Mirror reflects on identity as something continuously constructed, negotiated, and reimagined.