Cássio Markowski
0 Artwork
€0 EUR
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Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city with the aim of promoting art as an everyday experience.
Edition of /35 + 5 AP
Screen print on paper
Hand-finished, signed and numbered by the artist
Keaykolour pure White 300 g/m2 paper
70 × 50 cm
2022
Cássio Markowski
0 Artwork

Edition of /30
Risograph print on paper
Hand-finished, signed and numbered by the artist
40.7 × 27.6 cm
2026
Rita João co-founded, with Pedro Ferreira, the multidisciplinary design studio Pedrita Studio, based in Lisbon since 2005. The studio’s practice includes art direction, spatial design, conceptual art installations, NFTs, and tile panels. These panels, abstract compositions of color and texture that combine discontinued Portuguese tiles from the 1960s onwards, express the studio’s strong connection to tile-making and its ability to transform memories of the past into a contemporary language.
Rita João studied Design in Lisbon and in Delft. She began her professional career in 2002 in the 3D department of Fabrica, the communication research center of the Benetton group. She is co-author of the book Fabrico Próprio – o design da pastelaria semi-industrial portuguesa. Between 2015 and 2018, she taught Spatial Design at ESAD Caldas da Rainha and is currently a lecturer in the Design degree at the Faculty of Architecture of the University of Lisbon.
Developed within the context of The Studio project at Underdogs Gallery, this edition was hand-finished by Rita João during her week-long residency.
Originally conceived as a glimpse into Pedrita Studio’s archive of discarded digital matrices, Mimixa 003.jpg reflects an interest in process, testing, and unexpected visual outcomes generated through experimentation and technical constraints. During the residency, the artist expanded this logic through direct manual interventions, introducing unique watercolour elements to each individual print.
Created in parallel with a new body of works on paper, the edition reflects the more immediate and open approach explored throughout the residency, where gesture, variation, and spontaneity became central to the creative process. As a result, each edition is unique.
Edition of /75
Letterpress on dampened paper
Signed and numbered by the artist
20 × 28 cm
2020
Swoon, the artistic name of Caledonia Curry, is a Brooklyn-based artist known for intricate portraiture and large-scale installations. Emerging from street art, she became widely recognized for her life-sized wheat-pasted figures. Her practice spans sculpture, animation, and social projects, often focusing on community engagement and social justice while exploring themes of empathy, resilience, and human connection.
In Sri Lanka, Swoon divided her time between meditation, drawing, and observing the ocean’s movement. Unexpectedly finding herself in a monastery during the onset of global lockdowns, she experienced a profound stillness shaped by ritual and nature. The rhythms of daily meditation and the sea’s swirling patterns informed her observational approach. Her print studies the water below Sunyata, translating its motion into intricate line work. The piece reflects a moment of pause and introspection, where environment and inner landscape merged into a quietly powerful visual meditation.
Edition of /50
Three-colour screen print on paper
Signed and numbered by the artist
70 × 50 cm
2021
Sobekcis is the collaborative practice of twin brothers from Belgrade, Serbia. Emerging from graffiti culture, they developed a distinctive visual language that deconstructs lettering into abstract gestures. Their work explores the tension between chaos and structure through bold forms, textured surfaces, and dynamic compositions that bridge street art, abstraction, and contemporary painting.
Returning to Amsterdam, the twin brothers of Sobekcis revisited a formative city in their artistic journey. Experiencing its museums, public sculptures, and calm architecture through new eyes reshaped their perception. Inspired by monumental forms and contrasting textures, they created a sculptural composition marked by bold gestures and vibrant color. The print balances aggression and harmony, reflecting both their graffiti roots and refined abstraction. It captures a dialogue between past and present, where memory and renewed curiosity collide in a dynamic visual statement.
Edition /35 + 5 AP
Screen print on paper
Signed and numbered by the artist
Astropack White 320 g/m2 paper
70 × 50 cm
2024
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