Emerging from Matthew Stone's ongoing exploration of layered realities, this work brings together movement, colour, and gestural forms into a composition where multiple visual and emotional dimensions coexist. Surfaces overlap, painted marks create shifting depths, while material and simulated spaces dissolve into one another, reflecting the complexity of contemporary experience.

Characteristic of Stone's practice, the digital and the physical are not positioned in opposition, but exist as complementary layers within the same pictorial language. Image, gesture, surface, and presence continuously intersect, creating a visual field where complexity gives way to moments of stillness and connection. Balancing movement with quiet contemplation, the work reflects on how, within an increasingly layered world, new ways of being fully human can continue to emerge.

Surrounded by the dramatic contrasts of Olympic National Park, Mar Figueroa reflected on nature’s power and shared artistic community. Puma tracks in the snow served as a reminder of human fragility within vast landscapes. Inspired by collective energy among fellow artists, she created a composition where figures and environment intertwine. The print evokes dialogue, fluidity, and connection, blending surreal elements with personal symbolism. It captures a moment of pause in which nature and collaboration reshape perception.

In Rwanda, Abel Macias encountered both profound history and thriving natural beauty. From visiting the Genocide Memorial to witnessing wildlife in Akagera National Park, his journey balanced reflection and awe. Safari experiences inspired imagery of elephants, giraffes, and birds roaming freely. The print translates these vivid encounters into a stylized composition rooted in his folk-influenced aesthetic. It captures the vitality of wildlife and the resilience of place, honoring a country defined by both memory and forward momentum.

Speto is one of Brazil’s most influential street artists, and a true pioneer of graffiti in Latin America. Born and raised in São Paulo, he began painting in the late 1980s, when graffiti was still emerging in Brazil, and quickly became known for a style that combined bold lines, vibrant colors, and references drawn from Brazilian culture.

Throughout his career, Speto has built bridges between different worlds. His art is deeply rooted in Brazil, but it also connects with American influences such as hip hop, pop, and urban culture. Music plays a central role in his practice, shaping his rhythm, his compositions, and the energy of his works.For this edition, Speto turns to his own heritage and the women who have marked his personal story.

"Carmelita" presents a powerful Brazilian woman as its central figure. She is strong, almost mystical, and her dress carries an indigenous-inspired pattern that speaks of ancestry, tradition, and resistance.The work celebrates not only femininity but also the resilience of Brazilian identity — an identity that has always been built in dialogue, between past and present, between local roots and global sounds.