Underdogs celebrates the 25th of April with the launch of a special series of editions by seven Portuguese artists who, although they did not experience the revolution firsthand, grew up with its legacy deeply embedded in the fabric of society. This year marks 51 years since the Carnation Revolution — a historical moment that ended decades of dictatorship and restored democracy in Portugal. The works emerged from an invitation by Underdogs to engage in a dialogue with iconic photographs by Alfredo Cunha — one of Portugal’s most important photojournalists. With a sharp and sensitive eye, Cunha captured defining moments of April 25, 1974, immortalising expressions of freedom, confrontation, silence, and hope.

Each artist was invited to choose, reflect on, and respond to one of these images, inviting viewers to step into a portal through time and offering a new, personal reading of the past. Originally presented in the exhibition Portais do Tempo, held at the former Lisnave shipyards in Almada in 2023, these powerful works are now being relaunched as limited editions — produced in the same format and with identical margins. Each edition will be sold at the same price, making them accessible to a wider audience and reaffirming the importance of keeping alive the reflection on what freedom means, and what it continues to mean, today.

In one of Alfredo Cunha’s most iconic photographs, a child stands between intertwined hands — a symbol of communion, vulnerability, and the first moments of freedom. Using an ancestral method of weaving — not with threads, but with photography — Belli creates a piece that speaks of connection, memory, and care. Her work asks: what world are yesterday’s children offering to those of today? Do we still know how to cherish the freedom that was once so newly won? Through this poetic and tactile gesture, Belli invites us to reflect on the meaning of freedom — then, and now.

Underdogs celebrates the 25th of April with the launch of a special series of editions by seven Portuguese artists who, although they did not experience the revolution firsthand, grew up with its legacy deeply embedded in the fabric of society. This year marks 51 years since the Carnation Revolution — a historical moment that ended decades of dictatorship and restored democracy in Portugal. The works emerged from an invitation by Underdogs to engage in a dialogue with iconic photographs by Alfredo Cunha — one of Portugal’s most important photojournalists. With a sharp and sensitive eye, Cunha captured defining moments of April 25, 1974, immortalising expressions of freedom, confrontation, silence, and hope.

Each artist was invited to choose, reflect on, and respond to one of these images, inviting viewers to step into a portal through time and offering a new, personal reading of the past. Originally presented in the exhibition Portais do Tempo, held at the former Lisnave shipyards in Almada in 2023, these powerful works are now being relaunched as limited editions — produced in the same format and with identical margins. Each edition will be sold at the same price, making them accessible to a wider audience and reaffirming the importance of keeping alive the reflection on what freedom means, and what it continues to mean, today.

Ana Malta creates a powerful pictorial reinterpretation of one of Alfredo Cunha’s most iconic photographs: the moment when Salgueiro Maia addresses the photographer, urging him to choose a side. In her painting, Malta carefully selects and paints elements from the original scene — the police car, the military, Terreiro do Paço — while introducing new figures: her “children of April 25th,” the generation born into freedom. Malta paints the scene from the opposite point of view to that of the original photograph, suggesting a shift in perspective — both literal and symbolic. 

Emerging from Corentin Spear’s ongoing blue monochrome series, this edition reflects on solidarity, resilience, and the representation of femininity as a space of strength rather than fragility. Centered on two female figures positioned back to back, the work evokes a gesture of mutual protection — a quiet alliance formed in response to an environment marked by tension and hostility.

Through blurred features and monochromatic tones, the composition moves beyond individual portraiture toward a more collective presence, where identity becomes shared experience. Floral and luminous elements unfold across the surface, introducing moments of softness and hope within the intensity of the scene. Balancing emotional charge with restraint, the work affirms the female body not as an object of projection, but as a site of endurance, support, and resistance.