“Freedom is absolute in the relativity of time and space.” In this edition, Miguel Januário transforms the format of an eye chart into a layered reflection on perception — visual, political, and historical. As the letters shrink line by line, so does the idea of freedom itself, becoming increasingly narrow, distant, and harder to hold onto. Released on the occasion of 25 April, the anniversary of Portugal’s Carnation Revolution of 1974, the editions revisit the ideals of revolution through a lens of doubt and critical observation.These works are part of ±MaisMenos±, Januário’s long-standing project that uses minimalist language and bold contradictions to expose social and political paradoxes. Operating between public space, activism, and contemporary art, his practice turns language into a site of tension — and clarity into critique.The editions are available in two formats: a large, limited edition and a smaller open edition. When purchasing the large one, the smaller is included — a gesture of sharing and accessibility that reflects the artist’s belief in the circulation of ideas.

Emerging from BIGOD’s exploration of vernacular culture and overlooked forms of labor, this edition reflects on the circulation of images and their role in shaping collective memory. Drawing on the figure of the street newspaper seller, the work positions artistic creation as an act of distribution: something that moves, repeats, and carries urgency.

Built through layered fragments and graphic rhythms, the composition evokes processes of print and reproduction, where images accumulate and transform over time. Balancing manual gesture with industrial reference, the work establishes a dialogue between past and present, translating a street-based visual language into a form that can be held, shared, and preserved.

Emerging from Corentin Spear’s ongoing blue monochrome series, this edition reflects on solidarity, resilience, and the representation of femininity as a space of strength rather than fragility. Centered on two female figures positioned back to back, the work evokes a gesture of mutual protection — a quiet alliance formed in response to an environment marked by tension and hostility.

Through blurred features and monochromatic tones, the composition moves beyond individual portraiture toward a more collective presence, where identity becomes shared experience. Floral and luminous elements unfold across the surface, introducing moments of softness and hope within the intensity of the scene. Balancing emotional charge with restraint, the work affirms the female body not as an object of projection, but as a site of endurance, support, and resistance.

Emerging from Tiago Galo’s exploration of everyday gestures and contemporary experience, desNORTE reflects on moments of uncertainty and the search for direction. The title draws on the Portuguese word for disorientation, evoking a state in which familiar points of reference begin to dissolve.

Rendered through the artist’s characteristic visual economy, the composition centers on a solitary figure engaged in an act of navigation. Yet rather than offering certainty, the image suggests a condition of continual searching, where orientation becomes both a physical and emotional process. Balancing simplicity with subtle ambiguity, the work reflects on how individuals position themselves within an increasingly complex world, where the need for direction often coexists with the acceptance of not knowing exactly where to go.

Emerging from Mário Belém’s distinctive visual universe, this edition explores transformation, attraction, and the unpredictable chemistry that emerges between two individuals. Combining elements of popular culture, illustration, and symbolic imagery, the work presents a cocktail Molotov reimagined not as a device of destruction, but as a catalyst for connection and emotional intensity.

Flowers, flames, and liquid forms intertwine within a composition suspended between celebration and combustion, where opposing forces become inseparable. Characteristic of Belém's practice, everyday objects are displaced from their original function and infused with human qualities, transforming familiar forms into vessels for emotion, imagination, and narrative. Balancing tenderness with explosive energy, the work reflects on relationships as forces capable of both disrupting and illuminating the world around them.